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콘래드, 조지프295

Nils Clausson. "A Scrupulous Unity of Tone": [3] [정리] Clausson의 이 글에 등장하는 중요한 개념은 focalizer, focalization[초점자, 초점화]이라는 것이다. 작품을 읽을 때 화자와 구분해서 생각해 보아야 할 부분이고, [진보]의 경우처럼, 전지적 화자의 시점에서 전개된다고 해도, 부분부분 초점자는 다른 등장인물일 수 있다는 것, 그 경우 작.. 2019. 3. 3.
Nils Clausson. "A Scrupulous Unity of Tone": [2] III. 76) Johnson : Makola remains a savage Africa[n] who merely mimics the external trappings of civilized Europeans. 77) Makola's 'civilized behavior' is decidedly 'superficial and tenuous' -- underneath his 'Westernized' veneer lurks his true 'savagery' 77) Gail Fraser - Makola's "civilized accomplishment (foreign languages, beautiful handwriting, and bookkeeping) are only sk.. 2019. 3. 3.
Nils Clausson. "A Scrupulous Unity of Tone": [1] "A Scrupulous Unity of Tone": Irony, Narrative Focus, and the Representation of Africa(ns) in Conrad's "An Outpost of Progress" CEA Critic Vol. 71, No. 3 (SPRING AND SUMMER 2009), pp. 70-84 The Johns Hopkins University Press [본문] 70) Sarah Cole - Conrad's "status as an archetypal modernist whose fractured, convulsed narratives represent the turmoil of a literary practice a.. 2019. 2. 28.
Kevin Grant. The Congo Free State and the New Imperialism. 2017. (4) 21. Edmund Morel - from Affairs of West Africa 95) The native living within these territories has been depived by Royal Decree of his rights as a land-owner. Property held for centuries by well-defined native laws, vested in particular families and tribes, has been appropriated without consulting the interested parties, let alone compensating them. - Since he[natives] cannot di.. 2019. 1. 30.