Bernard J. Paris. Conrad's Charlie Marlow. Palgrave(2007)

Preface

viii) I approach Marlow as a mimetic portrait, an imagined human being whose thoughts, feelings, and behaviors, including his story-telling, are ｅxpressions of his personality and experience.

[말로를 인물로 접근하겠다는 말]

ix) LJ - 짐의 이야기로 시작하지만 곧 말로와 짐의 이야기, 그리고 the effect of their interaction on both men.

- Conrad's Lamarkian belief [이 부분 나중에 꼼꼼이 읽을 것]

Introduction

2) The tendency has been to look through Marlow to Conrad rather than at Marlow as an object of interest in his own right, a principal subject of the works in which he appears.

3) 콘래드와 말로의 관계

- Ian Watt: a "reliable reflector of the clarities and ambiguities of the implied author" (217)

- author와 character의 거리. (때로는 아이러니컬하게 취급되는 not-always-reliabel narrator)

4) Robert Scholes and Robert Kellogg - The Nature of Narrative (도서관)

mimetic character

5) 세 작품에 등장하는 말로 동일인.

Part one

C1. Young Marlow

12) 청춘과 어둠의 말로는 모두 낭만적. LJ의 말로는 콩고 이후의 말로.

13) 화자 : 젊은 시절의 자신을 condescension and envy의 혼합 가운데 봄.

- He sees how foolish he was but feels a great nostalgia for the sense of glamour and the conviction of strength he has lost. He is a disenchanted romantic.

17) [청춘과 어둠의 말로는 제국주의적 낭만주의에 물들어 있었다.?]